
Frances McDormand
Ingrid Jessner
“Hidden Agenda (1990) is a 1990s United Kingdom political-thriller that stages a lawyer’s legal inquiry against a background of Troubles-era secrecy. Its dramatic engine is an investigative-conspiracy framed through tight compositional choices and handheld kinetics that privilege evidentiary procedure over spectacle. The film therefore insists that procedural clarity, not rhetorical denunciation, is the primary cinematic means to contest institutional concealment.”
This film immerses viewers in the intricate process of investigation, emphasizing the importance of evidence and testimony over spectacle. Set in a 1990s political landscape, it captures the tension between personal integrity and institutional betrayal. Those interested in the complexities of civic responsibility will find resonance here.
Keen young Raymold Avila joins the Internal Affairs Department of the Los Angeles police. He and partner Amy Wallace are soon looking closely at the activities of cop Dennis Peck whose financial holdings start to suggest something shady. Indeed Peck is involved in any number of dubious or downright criminal activities. He is also devious, a womaniser, and a clever manipulator, and he starts to turn his attention on Avila.
Keen young Raymold Avila joins the Internal Affairs Department of the Los Angeles police. He and partner Amy Wallace are soon looking closely at the activities of cop Dennis Peck whose financial holdings start to suggest something shady. Indeed Peck is involved in any number of dubious or downright criminal activities. He is also devious, a womaniser, and a clever manipulator, and he starts to turn his attention on Avila.
A lawyer is asked to come to the police station to clear up a few loose ends in his witness report of a foul murder. "This will only take ten minutes", they say, but it turns out to be one loose end after another, and the ten minutes he is away from his speech become longer and longer.
A lawyer is asked to come to the police station to clear up a few loose ends in his witness report of a foul murder. "This will only take ten minutes", they say, but it turns out to be one loose end after another, and the ten minutes he is away from his speech become longer and longer.
A woman escapes from the man who is about to rape her, but leaves her purse behind. Afraid that her attacker might come after her, she goes to the police, but with no proof of the incident, they can do nothing. In fact, the man does use the information in her bag and comes to her apartment with the intent of rape, but she sprays him in the face with insect repellent, and then holds him captive. She is then faced with deciding whether to go to the police who might not believe her and release him, or to kill him.
A woman escapes from the man who is about to rape her, but leaves her purse behind. Afraid that her attacker might come after her, she goes to the police, but with no proof of the incident, they can do nothing. In fact, the man does use the information in her bag and comes to her apartment with the intent of rape, but she sprays him in the face with insect repellent, and then holds him captive. She is then faced with deciding whether to go to the police who might not believe her and release him, or to kill him.
On the day of his retirement, a veteran CIA agent learns that his former protégé has been arrested in China, is sentenced to die the next morning in Beijing, and that the CIA is considering letting that happen to avoid an international scandal.
On the day of his retirement, a veteran CIA agent learns that his former protégé has been arrested in China, is sentenced to die the next morning in Beijing, and that the CIA is considering letting that happen to avoid an international scandal.
An inexperienced young actress is invited to play a role in a film based on Dostoyevsky's 'The Possessed'. The film director, a Czech immigrant in Paris, takes over her life, and in a short time she is unable to draw the line between acting and reality. She winds up playing a real-life role posing as the dead wife of another Czech immigrant, who is manipulated by the filmmaker into commiting a political assassination.
An inexperienced young actress is invited to play a role in a film based on Dostoyevsky's 'The Possessed'. The film director, a Czech immigrant in Paris, takes over her life, and in a short time she is unable to draw the line between acting and reality. She winds up playing a real-life role posing as the dead wife of another Czech immigrant, who is manipulated by the filmmaker into commiting a political assassination.
When reclusive Franklin cheats on his partner with a mysterious girl he meets on a dating app, it becomes the start of a deadly obsession.
When reclusive Franklin cheats on his partner with a mysterious girl he meets on a dating app, it becomes the start of a deadly obsession.
In the late 1950s, British police officer Tony Aaron resigns from the force after sleeping with Hazel, wife of the man whose house he was supposed to guard. In his new job as a fake private investigator, he helps couples get divorces by photographing Hazel having "affairs" with the husband. When she is murdered during a job, Tony begins having an affair with the dead man's mistress, Angeline, while trying to prove his innocence.
In the late 1950s, British police officer Tony Aaron resigns from the force after sleeping with Hazel, wife of the man whose house he was supposed to guard. In his new job as a fake private investigator, he helps couples get divorces by photographing Hazel having "affairs" with the husband. When she is murdered during a job, Tony begins having an affair with the dead man's mistress, Angeline, while trying to prove his innocence.
A brilliant CIA trainee must prove his worth at the Farm, the agency's secret training grounds, where he learns to watch his back and trust no one.
A brilliant CIA trainee must prove his worth at the Farm, the agency's secret training grounds, where he learns to watch his back and trust no one.