
Phil Davis
Cyril Bender
“High Hopes (1989) is a 1980s British comedy-drama that frames working-class domestic life against creeping gentrification. It stages a couple's dispute over having children, the threat of 'yuppies', and a seventieth-birthday gathering using measured handheld staging and tight framing that privileges cramped interiors. High Hopes argues that political economy registers in small domestic refusals, making its cultural case through texture rather than polemic.”
This film presents a nuanced portrayal of domestic life in the face of rising rents and societal pressure. Through its slow pacing and close-knit scenes, it captures the moral and material negotiations of ordinary people. Ideal for those who appreciate understated storytelling that examines the intersections of class and family.
A Romanian girl dreams of living the glamorous life she sees in Italian soap operas.
In the French harbor city of Le Havre, an elderly shoeshiner with an ailing wife crosses paths with a young African refugee pursued by the police for deportation.
When Charlotte, 27, meets her brother Henrik, 35, for the first time as an adult, it becomes an encounter without boundaries, between two people who don't know what a normal family is. How does sibling love manifest itself if you have never experienced it before? Homesick is an unusual family drama about seeking a family, and breaking every rule to be one.
When Charlotte, 27, meets her brother Henrik, 35, for the first time as an adult, it becomes an encounter without boundaries, between two people who don't know what a normal family is. How does sibling love manifest itself if you have never experienced it before? Homesick is an unusual family drama about seeking a family, and breaking every rule to be one.
Paloma is a serious and highly articulate but deeply bored 11-year-old who has decided to kill herself on her 12th birthday. Fascinated by art and philosophy, she questions and documents her life and immediate circle, drawing trenchant and often hilarious observations on the world around her. But as her appointment with death approaches, Paloma finally meets some kindred spirits in her building's grumpy janitor and an enigmatic, elegant neighbor, both of whom inspire Paloma to question her rather pessimistic outlook on life.
Paloma is a serious and highly articulate but deeply bored 11-year-old who has decided to kill herself on her 12th birthday. Fascinated by art and philosophy, she questions and documents her life and immediate circle, drawing trenchant and often hilarious observations on the world around her. But as her appointment with death approaches, Paloma finally meets some kindred spirits in her building's grumpy janitor and an enigmatic, elegant neighbor, both of whom inspire Paloma to question her rather pessimistic outlook on life.
Stevie, fresh from prison in Scotland, finds a job on a London construction site. The working conditions are poor and most of the men are working under aliases, due to immigration status and to not conflict with their "signing on" for unemployment benefits. Some coworkers help Stevie secure housing, squatting in a council estate. Then Stevie meets Susan, from Ireland, who's struggling to be a professional singer.
Stevie, fresh from prison in Scotland, finds a job on a London construction site. The working conditions are poor and most of the men are working under aliases, due to immigration status and to not conflict with their "signing on" for unemployment benefits. Some coworkers help Stevie secure housing, squatting in a council estate. Then Stevie meets Susan, from Ireland, who's struggling to be a professional singer.
A family of Irish immigrants adjusts to life on the mean streets of Hell's Kitchen while also grieving the death of a child.
A family of Irish immigrants adjusts to life on the mean streets of Hell's Kitchen while also grieving the death of a child.
Penny works at a supermarket and Phil is a gentle taxi-driver. Penny’s love for Phil has run dry and they lead joyless lives with their two children, Rachel, a cleaner, and Rory, who is unemployed and aggressive.
Penny works at a supermarket and Phil is a gentle taxi-driver. Penny’s love for Phil has run dry and they lead joyless lives with their two children, Rachel, a cleaner, and Rory, who is unemployed and aggressive.
Set against the backdrop of an increasingly violent strike, a worker falls in love with the middle-class daughter of his landlady.
Set against the backdrop of an increasingly violent strike, a worker falls in love with the middle-class daughter of his landlady.