
Renato Pozzetto
Antonio Barozzi
“I'm Photogenic (1980) is a 1980s French-Italian comedy that stages a compact showbiz satire. It sets an earnest provincial's move from Lago Maggiore to Rome against manipulative industry figures, using tight framing and measured pacing to underline performative identity. It reframes French comic traditions to critique the transactional dynamics of ambition.”
This film offers a keen look at the tensions between ambition and exploitation in the entertainment industry. With a blend of humor and social commentary, it portrays the struggles of a provincial hopeful navigating the complexities of show business. Ideal for those who appreciate subtle critiques of celebrity culture.
Three characters' misadventures in semi-deserted, summertime Rome: a dim-witted mama's boy falls for a tourist; a would-be womanizer struggles to find company for his sex tourism trip to Kraków; a hippie is drawn into his father's schemes to bring him back into polite society.
Three characters' misadventures in semi-deserted, summertime Rome: a dim-witted mama's boy falls for a tourist; a would-be womanizer struggles to find company for his sex tourism trip to Kraków; a hippie is drawn into his father's schemes to bring him back into polite society.
A celebrity journalist, juggling her busy career and personal life, has her life over-turned by a freak car accident.
When a billionaire entrepreneur impulsively decides to create an iconic movie, he demands the best. Renowned filmmaker Lola Cuevas is recruited to mastermind this ambitious endeavour. Completing the all-star team are two actors with massive talent but even bigger egos: Hollywood heartthrob Félix Rivero and radical theatre actor Iván Torres. Both are legends, but not exactly best friends. Through a series of increasingly eccentric trials set by Lola, Félix and Iván must confront not only each other but also their own legacies. Who will be left when the cameras finally start rolling?
When a billionaire entrepreneur impulsively decides to create an iconic movie, he demands the best. Renowned filmmaker Lola Cuevas is recruited to mastermind this ambitious endeavour. Completing the all-star team are two actors with massive talent but even bigger egos: Hollywood heartthrob Félix Rivero and radical theatre actor Iván Torres. Both are legends, but not exactly best friends. Through a series of increasingly eccentric trials set by Lola, Félix and Iván must confront not only each other but also their own legacies. Who will be left when the cameras finally start rolling?
A young filmmaker in 1960s Paris juggles directing a cheesy sci-fi debacle, directing his own personal art film, coping with his crumbling relationship with his girlfriend, and a new-found infatuation with the sci-fi film's starlet.
A young filmmaker in 1960s Paris juggles directing a cheesy sci-fi debacle, directing his own personal art film, coping with his crumbling relationship with his girlfriend, and a new-found infatuation with the sci-fi film's starlet.
After the failure of his recent criminal exploits, international con artist Alexandre Dupré sets off for Venice to try to dupe some Japanese business men into buying a fake copy of a stolen Caneletto. On the aeroplane, a stranger asks him to look after his briefcase until after they have landed. Alexandre agrees, but the stranger is shot dead soon after and Alexandre himself becomes the target of enemy agents who are keen to recover the briefcase...
After the failure of his recent criminal exploits, international con artist Alexandre Dupré sets off for Venice to try to dupe some Japanese business men into buying a fake copy of a stolen Caneletto. On the aeroplane, a stranger asks him to look after his briefcase until after they have landed. Alexandre agrees, but the stranger is shot dead soon after and Alexandre himself becomes the target of enemy agents who are keen to recover the briefcase...
A self-conscious and self-referential adventure into the (pretend) lives of legendary actors in Paris.
The four old friends meet on the grave of the fifth of them, Perozzi, who died at the end of the first episode. Time has passed but they are still up for adventures and cruel jokes, and while they recall the one they created together with the late friend, new ones are on their way, starting right there at the cemetery.
The four old friends meet on the grave of the fifth of them, Perozzi, who died at the end of the first episode. Time has passed but they are still up for adventures and cruel jokes, and while they recall the one they created together with the late friend, new ones are on their way, starting right there at the cemetery.
A successful photographer gives up everything to devote himself to writing and discovers poverty.