
Baptiste Lecaplain
Stéphane
“Rodrigue in Love (2025) is a 2020s French family comedy-drama that stages a boulevard-theatre premise within the social economy of a contemporary festival. It frames a struggling actor's escalating pretense as a moral and performative dilemma, articulated through tight-framing and a measured pacing that foregrounds small emotional registers. The film argues that theatrical survival both shelters and separates, offering an accessible reflection on identity and communal responsibility.”
This film immerses viewers in a contemporary French setting, exploring the nuances of generational anxiety through familial dynamics and theatrical storytelling. With a focus on character development and subtle humor, it presents a thoughtful perspective on vulnerability and community. Perfect for those who appreciate nuanced social reflections in their cinema.
In a remote Siberian village, a work injury sends Vasily Kuziakin on a paid trip to a Black Sea resort as compensation. There, he meets femme fatale Raisa Zaharovna and decides to stay with her. Such is the beginning of a new life for him, exciting and strange, but lacking his home, his wife and children, and his pigeons.
In a remote Siberian village, a work injury sends Vasily Kuziakin on a paid trip to a Black Sea resort as compensation. There, he meets femme fatale Raisa Zaharovna and decides to stay with her. Such is the beginning of a new life for him, exciting and strange, but lacking his home, his wife and children, and his pigeons.
Murphy is an American living in Paris who enters a highly sexually and emotionally charged relationship with the unstable Electra. Unaware of the seismic effect it will have on their relationship, they invite their pretty neighbor into their bed.
Murphy is an American living in Paris who enters a highly sexually and emotionally charged relationship with the unstable Electra. Unaware of the seismic effect it will have on their relationship, they invite their pretty neighbor into their bed.
Nina is a young, carefree actress who arrives in Paris searching for her big break. There, she finds drama both on- and offstage as she becomes involved with three men: a mild-mannered real-estate agent who offers her stability, a bad-boy actor who lives dangerously on the edge, and an intense theater director who casts her in a production of “Romeo and Juliet.” As opening night approaches, the emotional extremes of Nina’s love life fuel her art.
Nina is a young, carefree actress who arrives in Paris searching for her big break. There, she finds drama both on- and offstage as she becomes involved with three men: a mild-mannered real-estate agent who offers her stability, a bad-boy actor who lives dangerously on the edge, and an intense theater director who casts her in a production of “Romeo and Juliet.” As opening night approaches, the emotional extremes of Nina’s love life fuel her art.
Love never hurt so good for two co-workers who enter a contractual relationship as partners in consensual play, pleasure and pain.
Love never hurt so good for two co-workers who enter a contractual relationship as partners in consensual play, pleasure and pain.
When her rather explicit copy is rejected, magazine journalist Kate is asked by her editor to come up with an article on loving relationships instead, and to do so by the end of the day. This gets Kate thinking back over her own various experiences, and to wondering if she is in much of a position to write on the subject.
When her rather explicit copy is rejected, magazine journalist Kate is asked by her editor to come up with an article on loving relationships instead, and to do so by the end of the day. This gets Kate thinking back over her own various experiences, and to wondering if she is in much of a position to write on the subject.
After learning that the art thief she has been chasing is her ex-lover, an officer working for Interpol concocts a plan to catch him red-handed.
Émilie meets Camille who is attracted to Nora, who crosses paths with Amber. Three girls and a boy – They're friends, sometimes lovers and often both.
Émilie meets Camille who is attracted to Nora, who crosses paths with Amber. Three girls and a boy – They're friends, sometimes lovers and often both.
A man takes his wife and their teenage children on a road trip down memory lane while facing divorce.
A man takes his wife and their teenage children on a road trip down memory lane while facing divorce.