
Norma Aleandro
Alicia Marnet
“The Official Story (1985) is an Argentine 1980s period drama that stages a history teacher's private doubts against the residue of a military dictatorship. It frames that inquiry through measured compositions and tight-framing that privilege small gestures and withheld information over overt melodrama. The film argues that domestic admission forces public ethical reckoning, making private memory the site of civic confrontation.”
This film unfolds as a quiet exploration of domestic life caught between personal memory and public denial. Through understated performances and careful framing, it builds tension from small gestures, reflecting on the ongoing negotiation of responsibility within family dynamics. It invites viewers who appreciate nuanced storytelling and moral complexity.
Set during the unsettling disappearances in Buenos Aires during the dictatorship of the 1970s, the film involves theater director Carlos Rueda and his wife Cecilia. Shortly after Cecilia writes an editorial commentary questioning the mysterious abductions, she is herself abducted and taken into police custody.
Set during the unsettling disappearances in Buenos Aires during the dictatorship of the 1970s, the film involves theater director Carlos Rueda and his wife Cecilia. Shortly after Cecilia writes an editorial commentary questioning the mysterious abductions, she is herself abducted and taken into police custody.
In a post-WWII Yugoslavia still under Stalinist rule in the 1950s, six-year-old Malik is oblivious as to why his father, Mehmed, has suddenly disappeared. In truth, Mehmed has been sent to a labor camp as punishment for acts of sexual indiscretion involving young girls. Malik's mother, Senija, however, has no answers, and the family must cope in the father's absence.
In a post-WWII Yugoslavia still under Stalinist rule in the 1950s, six-year-old Malik is oblivious as to why his father, Mehmed, has suddenly disappeared. In truth, Mehmed has been sent to a labor camp as punishment for acts of sexual indiscretion involving young girls. Malik's mother, Senija, however, has no answers, and the family must cope in the father's absence.
An adolescent girl, living with her mother and her grandmother, will have her first sexual experiences in a heavy and excessive way.
An adolescent girl, living with her mother and her grandmother, will have her first sexual experiences in a heavy and excessive way.
A thirteen-year-old French girl deals with moving to a new city and school in Paris, while at the same time her parents are getting a divorce.
Wang Tiemei, a single mother, loses her job and moves, befriending neighbor Xiaoye who appears cheerful but is depressed. Their bond grows as Tiemei navigates relationships with her ex-husband causing trouble.
On October 2, 1968, a student uprising descends into violence after the Mexican government begins to use lethal force against the protesters.
As a high school student, Majka bore a child, Ania, whom Majka’s mother, Ewa, has been raising as her own. Now that Majka is ready for motherhood, Ewa refuses to let go, leading Majka to kidnap her own daughter, with unexpected emotional consequences.
As a high school student, Majka bore a child, Ania, whom Majka’s mother, Ewa, has been raising as her own. Now that Majka is ready for motherhood, Ewa refuses to let go, leading Majka to kidnap her own daughter, with unexpected emotional consequences.
A middle-aged man, Pietro, becomes a widower and must take care of his daughter. He will never have the time to delve into his own pain, committing himself to raising his daughter with love and dedication, in an all-encompassing relationship in which one heals the other's wounds through his own. When, after a few years, he tries to start a new life with a new partner, not everything will go as hoped: his daughter's reaction will be exaggerated and Pietro will be put to the test. He will find himself struggling between anger and paternal instinct.
A middle-aged man, Pietro, becomes a widower and must take care of his daughter. He will never have the time to delve into his own pain, committing himself to raising his daughter with love and dedication, in an all-encompassing relationship in which one heals the other's wounds through his own. When, after a few years, he tries to start a new life with a new partner, not everything will go as hoped: his daughter's reaction will be exaggerated and Pietro will be put to the test. He will find himself struggling between anger and paternal instinct.