
Adriano Celentano
Elia Codogno
“The Taming of the Scoundrel (1980) is an Italian 1980s comedy that stages a misanthropic, misogynistic landowner's encounter with unexpected romantic possibility. It pairs commedia all'italiana tone with static-frame compositions and a warm visual texture to register social embarrassment and character transformation. The film reframes abrasive masculinity as a social-and-comic problem, turning personal stubbornness into the engine of its moral critique.”
This Italian film weaves social comedy with a focus on transformation, revealing how a glamorous outsider challenges a curmudgeonly landowner's abrasive nature. Its observational style and rich character interactions highlight themes of masculinity and privilege, offering a gently satirical perspective on change and identity.
Traveling from New York to Italia, pretty Mary rushes into moody macho lawyer Tito. The girl immediately falls for the guy with the gruffy manners and in an very impertinent way, she leans on him as she gets in trouble: Not only that she gets tied up in her suite by some Gangsters, but also, her new husband is found dead.
Traveling from New York to Italia, pretty Mary rushes into moody macho lawyer Tito. The girl immediately falls for the guy with the gruffy manners and in an very impertinent way, she leans on him as she gets in trouble: Not only that she gets tied up in her suite by some Gangsters, but also, her new husband is found dead.
A brilliant and intelligent love comedy that celebrates second chances and new horizons, starring a strong and determined woman who settles the score.
A brilliant and intelligent love comedy that celebrates second chances and new horizons, starring a strong and determined woman who settles the score.
Three characters' misadventures in semi-deserted, summertime Rome: a dim-witted mama's boy falls for a tourist; a would-be womanizer struggles to find company for his sex tourism trip to Kraków; a hippie is drawn into his father's schemes to bring him back into polite society.
Three characters' misadventures in semi-deserted, summertime Rome: a dim-witted mama's boy falls for a tourist; a would-be womanizer struggles to find company for his sex tourism trip to Kraków; a hippie is drawn into his father's schemes to bring him back into polite society.
In an accident the young mechanic Marco Coccia meets Cristiana. The two fall in love with one another. Cristiana confesses only later that she is a genuine princess. For Marco it is not a problem, but for Cristiana's parents it is a very big problem. The two must separate. When one evening Cristiana calls Marco and lets him know about her forthcoming wedding, Marco with the car races toward Paris and has an accident...
In an accident the young mechanic Marco Coccia meets Cristiana. The two fall in love with one another. Cristiana confesses only later that she is a genuine princess. For Marco it is not a problem, but for Cristiana's parents it is a very big problem. The two must separate. When one evening Cristiana calls Marco and lets him know about her forthcoming wedding, Marco with the car races toward Paris and has an accident...
When a woman crashes at an empty Italian villa, posing as the owner's fiancée, she discovers an unexpected romance that could transform her life.
When a woman crashes at an empty Italian villa, posing as the owner's fiancée, she discovers an unexpected romance that could transform her life.
A man is forced to completely change his habits when he decides to move from the country to the city.
A man is forced to completely change his habits when he decides to move from the country to the city.
Two reckless friends Leonardo (Adriano Celentano) and Luciano (Renato Potstsetto) are just doing whatever they want and getting into endless alterations. When one of them decides to marry, their friendship is in a crisis ...
Two reckless friends Leonardo (Adriano Celentano) and Luciano (Renato Potstsetto) are just doing whatever they want and getting into endless alterations. When one of them decides to marry, their friendship is in a crisis ...
The children of Harpagon, Cléante and his sister Elise, are each in love but they still haven’t spoken to their father yet. Harpagon is a miser who wants to choose the right man and the right woman for his children. Based on Molière’s play.
The children of Harpagon, Cléante and his sister Elise, are each in love but they still haven’t spoken to their father yet. Harpagon is a miser who wants to choose the right man and the right woman for his children. Based on Molière’s play.