
Andy Garcia
Michael Hunter
“The Unsaid (2001) is a 2000s Canadian-American psychological thriller that stages a private moral reckoning after a father’s loss. It foregrounds a slow-burn visual grammar—tight framing and muted interiors—that converts interpersonal care into procedural suspense. The film argues that private grief compels public questions about responsibility and therefore remains culturally and psychologically resonant.”
This film intricately portrays the intersection of personal loss and civic duty through a physician's moral struggle. With its slow-burn tempo and tight framing, it invites viewers to wrestle with unsettling questions about care and atonement. Best for those who appreciate nuanced narratives that linger in moral gray areas.
A woman grows suspicious of her controlling husband after she discovers secrets about the women in his past.
A woman grows suspicious of her controlling husband after she discovers secrets about the women in his past.
Carlo and Elisa are a successful couple. He’s a university professor and writer facing a creative block; she’s a brilliant, sharp-witted journalist, known for her internationally published editorials. They live in Rome, moving between accomplishments and routine, affection and something that might be fading. In search of new energy, they travel to Morocco with their lifelong friends, Anna and Paolo, and their thirteen-year-old daughter Vittoria—bright, curious, a little eccentric. Tensions soon rise.
Carlo and Elisa are a successful couple. He’s a university professor and writer facing a creative block; she’s a brilliant, sharp-witted journalist, known for her internationally published editorials. They live in Rome, moving between accomplishments and routine, affection and something that might be fading. In search of new energy, they travel to Morocco with their lifelong friends, Anna and Paolo, and their thirteen-year-old daughter Vittoria—bright, curious, a little eccentric. Tensions soon rise.
A mother looks to escape her abusive past by moving to a new town where she befriends another mother, who grows suspicious of her.
A mother looks to escape her abusive past by moving to a new town where she befriends another mother, who grows suspicious of her.
Norman and Claire Spencer are a seemingly happily married couple who uncover a terrible secret… a secret so disturbing it threatens to destroy them.
Norman and Claire Spencer are a seemingly happily married couple who uncover a terrible secret… a secret so disturbing it threatens to destroy them.
The government gets wind of a plot to destroy America involving a trio of nuclear weapons for which the whereabouts are unknown. It's up to a seasoned interrogator and an FBI agent to find out exactly where the nukes are.
The government gets wind of a plot to destroy America involving a trio of nuclear weapons for which the whereabouts are unknown. It's up to a seasoned interrogator and an FBI agent to find out exactly where the nukes are.
Happily married Michael and Karen Carr call the police after Karen is held at knife point during a failed robbery attempt in their home. Before long, one of the responding officers, Officer Pete Davis, helps arrange the installation of a new security system, taking extra interest in the couple's case. As a result, the grateful Carrs invite him to stay for dinner and they strike up an unexpected friendship. However, as the lonely policeman develops an intense fixation on Karen, his take on friendship develops into a dangerous obsession soon becoming the Carrs' worst nightmare.
Happily married Michael and Karen Carr call the police after Karen is held at knife point during a failed robbery attempt in their home. Before long, one of the responding officers, Officer Pete Davis, helps arrange the installation of a new security system, taking extra interest in the couple's case. As a result, the grateful Carrs invite him to stay for dinner and they strike up an unexpected friendship. However, as the lonely policeman develops an intense fixation on Karen, his take on friendship develops into a dangerous obsession soon becoming the Carrs' worst nightmare.
The Words follows young writer Rory Jansen who finally achieves long sought after literary success after publishing the next great American novel. There's only one catch - he didn't write it. As the past comes back to haunt him and his literary star continues to rise, Jansen is forced to confront the steep price that must be paid for stealing another man's work, and for placing ambition and success above life's most fundamental three words.
The Words follows young writer Rory Jansen who finally achieves long sought after literary success after publishing the next great American novel. There's only one catch - he didn't write it. As the past comes back to haunt him and his literary star continues to rise, Jansen is forced to confront the steep price that must be paid for stealing another man's work, and for placing ambition and success above life's most fundamental three words.
A loathsome man ends up dead, but it's not clear who's to blame. If ever a person got what he deserved, it's James Urbanksi, an abusive drunk who steals from his wife, Joyce, and promises her close friend Cynthia Kellogg that she'll be the next target of his rage. At a group outing, James bleeds to death after someone cuts his throat. But because he's such a terrible human being, police aren't sure which of his acquaintances decided to kill him.
A loathsome man ends up dead, but it's not clear who's to blame. If ever a person got what he deserved, it's James Urbanksi, an abusive drunk who steals from his wife, Joyce, and promises her close friend Cynthia Kellogg that she'll be the next target of his rage. At a group outing, James bleeds to death after someone cuts his throat. But because he's such a terrible human being, police aren't sure which of his acquaintances decided to kill him.