Timo Eränkö
Frank
“Calamari Union (1985) is a Finnish 1980s road movie that reframes a working-class exodus as an absurd, ritualized procession. Its central conflict is social and tonal: a collective attempt at escape staged through static-frame compositions and deadpan ensemble choreography rather than confessional arcs. At its clearest the film argues that communal identity can be performed on the road, making it a culturally specific study of stubborn endurance and wry solidarity.”
This film combines absurdist humor with a communal road trip, as a group of men named Frank embark on a journey filled with unexpected obstacles. Its deliberate pacing and minimalist style emphasize the power of collective identity amid the quirks of working-class displacement. Ideal for those who appreciate wry humor and subtle social commentary.
Three characters' misadventures in semi-deserted, summertime Rome: a dim-witted mama's boy falls for a tourist; a would-be womanizer struggles to find company for his sex tourism trip to Kraków; a hippie is drawn into his father's schemes to bring him back into polite society.
Three characters' misadventures in semi-deserted, summertime Rome: a dim-witted mama's boy falls for a tourist; a would-be womanizer struggles to find company for his sex tourism trip to Kraków; a hippie is drawn into his father's schemes to bring him back into polite society.
The story of a father and a son. An on the road trip from South to North.
The story of a father and a son. An on the road trip from South to North.
After the death of his wife and father, Kudret, who has always lived by the book, decides to go on a road trip to save a girl.
After the death of his wife and father, Kudret, who has always lived by the book, decides to go on a road trip to save a girl.
The ever-poker-faced Ilona loses her job as a restaurant hostess, as her tram driver husband, Lauri, also finds himself out of work. Together they must hit the streets of Helsinki, facing up to hardship and humiliation in their quest for survival, guided through the gloom by a ray of hope.
The ever-poker-faced Ilona loses her job as a restaurant hostess, as her tram driver husband, Lauri, also finds himself out of work. Together they must hit the streets of Helsinki, facing up to hardship and humiliation in their quest for survival, guided through the gloom by a ray of hope.
After their high school basketball coach passes away, five good friends and former teammates reunite for a Fourth of July holiday weekend.
After their high school basketball coach passes away, five good friends and former teammates reunite for a Fourth of July holiday weekend.
"Maine-Ocean" is the name of a train that rides from Paris to Saint-Nazaire (near the ocean). In that train, Dejanira, a Brazilian, has a brush with the two ticket inspectors. Mimi, another traveler and also a lawyer, helps her. The four of them will meet together later and live a few shifted adventures with a strange-speaking sailor (Mimi's client).
"Maine-Ocean" is the name of a train that rides from Paris to Saint-Nazaire (near the ocean). In that train, Dejanira, a Brazilian, has a brush with the two ticket inspectors. Mimi, another traveler and also a lawyer, helps her. The four of them will meet together later and live a few shifted adventures with a strange-speaking sailor (Mimi's client).
Armando is the daddy, Cristiano is the adult son. Each of them lives his life in a different way respect the other: Armando is an old play-boy and often he "buys" his women with his money; Cristiano is a shy guy who lives in a community with other guys like him. The movie proceeds showing us, ironically, the differences, the different ways to think, to act, to treat the women between father and son.
Armando is the daddy, Cristiano is the adult son. Each of them lives his life in a different way respect the other: Armando is an old play-boy and often he "buys" his women with his money; Cristiano is a shy guy who lives in a community with other guys like him. The movie proceeds showing us, ironically, the differences, the different ways to think, to act, to treat the women between father and son.
Maurizio works in a dubbing studio and puts sound effects into cartoons. One day his hands turn into cartoon ones, with a life of their own.
Maurizio works in a dubbing studio and puts sound effects into cartoons. One day his hands turn into cartoon ones, with a life of their own.