
Maurizio Nichetti
Maurizio
“To Want to Fly (1991) is a 1990s Italian comedy-fantasy that frames industrial labour through a cartoonish metamorphosis. It stages a dubbing-studio technician's hand-transformation with fluid-camera choreography and workplace-specific sound design, making media mediation the scene of the film's moral inquiry. The result is a compact, playful probe of identity and craft that balances comic timing with a layered emotional aftertaste.”
This film blends humor and strange imagery to reflect on work and self. With a soundman whose hands echo cartoon limbs, it artfully critiques media in a workplace setting. Ideal for viewers who appreciate comedies that navigate between the absurd and the deeply personal.
Paolo Coniglio is a naive and clumsy employee in a comics publishing house, bullied by his manager and his terrible future mother-in-law. To escape his dreary daily routine, he finds himself living vivid daydreams with "Dalia", the beautiful heroine of the books that he's translating. One day, though, while shopping, Paolo meets a charming blonde that looks like Dalia, and finds himself trapped in a shady intrigue.
Paolo Coniglio is a naive and clumsy employee in a comics publishing house, bullied by his manager and his terrible future mother-in-law. To escape his dreary daily routine, he finds himself living vivid daydreams with "Dalia", the beautiful heroine of the books that he's translating. One day, though, while shopping, Paolo meets a charming blonde that looks like Dalia, and finds himself trapped in a shady intrigue.
The third film in the saga of the unlucky clerk Ugo Fantozzi, played by its creator, Paolo Villaggio.
The third film in the saga of the unlucky clerk Ugo Fantozzi, played by its creator, Paolo Villaggio.
Sparks fly in all directions as marketing maven Kelly Jones, brought in to fix NASA's public image, wreaks havoc on Apollo 11 launch director Cole Davis' already difficult task of putting a man on the moon. When the White House deems the mission too important to fail, Jones is directed to stage a fake moon landing as backup, and the countdown truly begins.
Sparks fly in all directions as marketing maven Kelly Jones, brought in to fix NASA's public image, wreaks havoc on Apollo 11 launch director Cole Davis' already difficult task of putting a man on the moon. When the White House deems the mission too important to fail, Jones is directed to stage a fake moon landing as backup, and the countdown truly begins.
Michele is a young filmmaker frustrated by the lack of understanding his work receives and at odds with the film industry, especially a colleague making a musical on the '68 student protests. As he struggles to complete his own film about Freud's mother, Michele's insecurity and creative block manifest in a series of unsettling nightmares. Nanni Moretti's self-inquiry into cinema, political ennui, and men's relationships with their mothers.
Michele is a young filmmaker frustrated by the lack of understanding his work receives and at odds with the film industry, especially a colleague making a musical on the '68 student protests. As he struggles to complete his own film about Freud's mother, Michele's insecurity and creative block manifest in a series of unsettling nightmares. Nanni Moretti's self-inquiry into cinema, political ennui, and men's relationships with their mothers.
The charismatic Snaporaz encounters an alluring woman on a train and pursues her through a forest. He ends up at a hotel populated by women gathered for a feminist conference, where he is an unwanted presence. Snaporaz soon discovers he’s entered a phantasmagoric world where women have taken power.
The charismatic Snaporaz encounters an alluring woman on a train and pursues her through a forest. He ends up at a hotel populated by women gathered for a feminist conference, where he is an unwanted presence. Snaporaz soon discovers he’s entered a phantasmagoric world where women have taken power.
Three characters' misadventures in semi-deserted, summertime Rome: a dim-witted mama's boy falls for a tourist; a would-be womanizer struggles to find company for his sex tourism trip to Kraków; a hippie is drawn into his father's schemes to bring him back into polite society.
Three characters' misadventures in semi-deserted, summertime Rome: a dim-witted mama's boy falls for a tourist; a would-be womanizer struggles to find company for his sex tourism trip to Kraków; a hippie is drawn into his father's schemes to bring him back into polite society.
Sophie and Vincent’s small butcher shop is on the brink of bankruptcy and their marriage is falling apart. Their lives are turned upside down when Vincent accidentally kills a vegan activist who vandalized their shop. Overwhelmed and terrified of being accused of murder, their only solution is to get rid of the body by turning it into ham. To their surprise the ham is so popular that it may save their business… that is if they’re ready to keep “hunting"!
Sophie and Vincent’s small butcher shop is on the brink of bankruptcy and their marriage is falling apart. Their lives are turned upside down when Vincent accidentally kills a vegan activist who vandalized their shop. Overwhelmed and terrified of being accused of murder, their only solution is to get rid of the body by turning it into ham. To their surprise the ham is so popular that it may save their business… that is if they’re ready to keep “hunting"!
Oliveiro is a young poet living in Buenos Aires where sometimes he has to sell his ideas to an advertising agency to make a living or exchange his poems for a steak. In Montevideo, he meets a prostitute, Ana, with whom he falls in love. Back in Buenos Aires, he accepts a contract with a publicity agency to get the money for three days of love with her. Will he get what he's searching for when his ideal of love's pleasure is literally going in levitation while making love?
Oliveiro is a young poet living in Buenos Aires where sometimes he has to sell his ideas to an advertising agency to make a living or exchange his poems for a steak. In Montevideo, he meets a prostitute, Ana, with whom he falls in love. Back in Buenos Aires, he accepts a contract with a publicity agency to get the money for three days of love with her. Will he get what he's searching for when his ideal of love's pleasure is literally going in levitation while making love?