
Lily Franky
Osamu Shibata
“Shoplifters (2018) is a 2010s Japanese social-realist drama that stages domestic survival on the margins. It forces ethical-tension and found-family dynamics into tight-framed, muted compositions and a slow-burn rhythm that treats small crimes as social economy rather than spectacle. Shoplifters argues that intimacy under scarcity reconfigures moral obligation and so provides a necessary corrective to easy condemnations of poverty.”
This film presents a subtle portrayal of kinship shaped by economic hardship, focusing on the intricate relationships formed through shared struggles. With its emphasis on texture and atmosphere, the narrative invites viewers to reflect on the nature of family beyond traditional definitions. Ideal for those who appreciate social realism.
Jessie is an aging career criminal who has been in more jails, fights, schemes, and lineups than just about anyone else. His son Vito, while currently on the straight and narrow, has had a fairly shady past and is indeed no stranger to illegal activity. They both have great hope for Adam, Vito's son and Jessie's grandson, who is bright, good-looking, and without a criminal past.
Jessie is an aging career criminal who has been in more jails, fights, schemes, and lineups than just about anyone else. His son Vito, while currently on the straight and narrow, has had a fairly shady past and is indeed no stranger to illegal activity. They both have great hope for Adam, Vito's son and Jessie's grandson, who is bright, good-looking, and without a criminal past.
In the French harbor city of Le Havre, an elderly shoeshiner with an ailing wife crosses paths with a young African refugee pursued by the police for deportation.
After ratting out his Mafia cohorts, Giovanni Manzoni and his family enter the Witness Protection Program and relocate to a sleepy town in France. Despite the best efforts of their handler to keep them in line, Giovanni (now called Fred Blake), his wife and children can't help but resort to doing things the "family" way. However, their dependence on such old habits places everyone in danger from vengeful mobsters.
After ratting out his Mafia cohorts, Giovanni Manzoni and his family enter the Witness Protection Program and relocate to a sleepy town in France. Despite the best efforts of their handler to keep them in line, Giovanni (now called Fred Blake), his wife and children can't help but resort to doing things the "family" way. However, their dependence on such old habits places everyone in danger from vengeful mobsters.
In a struggling post-Soviet community, Lilya a teenage girl is abandoned when her mother moves to the United States with her boyfriend. Facing neglect and poverty, she meets Andrei, who offers her a job in Sweden, giving her hope for a better life — and a journey that will change everything.
In a struggling post-Soviet community, Lilya a teenage girl is abandoned when her mother moves to the United States with her boyfriend. Facing neglect and poverty, she meets Andrei, who offers her a job in Sweden, giving her hope for a better life — and a journey that will change everything.
An unassuming substitute sheriff with a troubled past responds to a bank robbery in a small, sleepy town and unknowingly uncovers something far more explosive.
On Christmas Eve, three homeless people living on the streets of Tokyo discover a newborn baby among the trash and set out to find its parents.
When five Kurdish prisoners are granted one week's home leave, they find to their dismay that they face continued oppression outside of prison from their families, the culture, and the government.
A family gathers together for a commemorative ritual whose nature only gradually becomes clear.
A family gathers together for a commemorative ritual whose nature only gradually becomes clear.